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"From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called "post-black," "post-soul," and examples of a "New Black Aesthetic." Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community"--
African Americans in mass media. --- African Americans --- Satire, American --- African Americans in literature. --- African Americans in motion pictures. --- African Americans in popular culture. --- Race identity. --- History and criticism. --- Intellectual life. --- African American intellectuals --- Afro-Americans in popular culture --- Popular culture --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Motion pictures --- Race films --- Afro-Americans in literature --- Negroes in literature --- Negritude --- Afro-Americans in mass media --- Mass media --- Ethnic identity
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Between Slavery and Freedom explores one of the central ironies of racial dynamics in this nation's history from the colonial era to the end of the Civil War.
Free African Americans --- Free Afro-Americans --- Free blacks --- African Americans --- History. --- Social conditions. --- Attitudes --- History --- United States --- Race relations --- Free Black people
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"Hoo-Doo Cowboys and Bronze Buckaroos undertakes an interdisciplinary exploration of the African American West through close readings of texts from a variety of media. This approach allows for both an in-depth analysis of individual texts and a discussion of material often left out or underrepresented in studies focused only on traditional literary material. The book engages heretofore unexamined writing by Rose Gordon, who wrote for local Montana newspapers rather than for a national audience; memoirs and letters of musicians, performers, and singers (such as W. C. Handy and Taylor Gordon), who lived in or wrote about touring the American West; the novels and films of Oscar Micheaux; black-cast westerns starring Herb Jeffries; largely unappreciated and unexamined episodes from the "golden age of western television" that feature African American actors; film and television westerns that use science fiction settings to imagine a "postracial" or "postsoul" frontier; Percival Everett's fiction addressing contemporary black western experience; and movies as recent as Quentin Tarantino's Django Unchained.Despite recent interest in the history of the African American West, we know very little about how the African American past in the West has been depicted in a full range of imaginative forms. Hoo-Doo Cowboys and Bronze Buckaroos advances our discovery of how the African American West has been experienced, imagined, portrayed, and performed"--
American literature --- African Americans in popular culture. --- African Americans --- Frontier and pioneer life in literature. --- African American authors --- History and criticism. --- Intellectual life. --- History. --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Black people --- Afro-Americans in popular culture --- Popular culture
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No one has written more about the African American experience in Missouri over the past four decades than Gary Kremer, and now for the first time fourteen of his best articles on the subject are available in one place with the publication of Race and Meaning: The African American Experience in Missouri. By placing the articles in chronological order of historical events rather than by publication date, Kremer combines them into one detailed account that addresses issues such as the transition from slavery to freedom for African Americans in Missouri, all-black rural communities, and the lives of African Americans seeking new opportunities in Missouri's cities. In addition to his previously published articles, Kremer includes a personal introduction revealing how he first became interested in researching African American history and how his education at Lincoln University--and specifically the influence of his mentor, Lorenzo Greene--helped him to realize his eventual career path. Race and Meaning makes a collection of largely unheard stories spanning much of Missouri history accessible for the first time in one place, allowing each article to be read in the context of the others, and creating a whole that is much greater than the sum of its parts. Whether you are a student, researcher, or general reader, this book will be essential to anyone with an interest in Missouri history.
African Americans --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- History. --- Missouri --- State of Missouri --- US-MO --- MO (State) --- Missouri Territory --- Race relations. --- Black people
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In this revised introduction to Nobel Laureate Toni Morrison’s novels, Jan Furman extends and updates her critical commentary. New chapters on four novels following the publication of Jazz in 1992 continue Furman’s explorations of Morrison’s themes and narrative strategies. In all Furman surveys ten works that include the trilogy novels, a short story, and a book of criticism to identify Morrison’s recurrent concern with the destructive tensions that define human experience: the clash of gender and authority, the individual and community, race and national identity, culture and authenticity, and the self and other. As Furman demonstrates, Morrison more often than not renders meaning for characters and readers through an unflinching inquiry, if not resolution, of these enduring conflicts. She is not interested in tidy solutions. Enlightened self-love, knowledge, and struggle, even without the promise of salvation, are the moral measure of Morrison’s characters, fiction, and literary imagination. Tracing Morrison’s developing art and her career as a public intellectual, Furman examines the novels in order of publication. She also decodes their collective narrative chronology, which begins in the late seventeenth century and ends in the late twentieth century, as Morrison delineates three hundred years of African American experience. In Furman’s view Morrison tells new and difficult stories of old, familiar histories such as the making of Colonial America and the racing of American society. In the final chapters Furman pays particular attention to form, noting Morrison’s continuing practice of the kind of “deep" novelistic structure that transcends plot and imparts much of a novel’s meaning. Furman demonstrates, through her helpful analyses, how engaging such innovations can be.
African Americans in literature. --- African American women in literature. --- Women and literature --- Afro-Americans in literature --- Negroes in literature --- Afro-American women in literature --- History --- Morrison, Toni --- Criticism and interpretation. --- Wofford, Chloe Anthony --- Morrisonová, Toni --- מוריסון, טוני
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Scientific research has now established that race should be understood as a social construct, not a true biological division of humanity. In Imagining Black America, Michael Wayne explores the construction and reconstruction of black America from the arrival of the first Africans in Jamestown in 1619 to Barack Obama's reelection. Races have to be imagined into existence and constantly reimagined as circumstances change, Wayne argues, and as a consequence the boundaries of black America have historically been contested terrain. He discusses the emergence in the nineteenth century-and the erosion, during the past two decades-of the notorious "one-drop rule." He shows how significant periods of social transformation-emancipation, the Great Migration, the rise of the urban ghetto, and the Civil Rights Movement-raised major questions for black Americans about the defining characteristics of their racial community. And he explores how factors such as class, age, and gender have influenced perceptions of what it means to be black. Wayne also considers how slavery and its legacy have defined freedom in the United States. Black Americans, he argues, because of their deep commitment to the promise of freedom and the ideals articulated by the Founding Fathers, became and remain quintessential Americans-the "incarnation of America," in the words of the civil rights leader A. Philip Randolph.
African Americans --- Race awareness --- Race --- Physical anthropology --- Awareness --- Ethnopsychology --- Ethnic attitudes --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Race identity --- History. --- Philosophy. --- United States --- Race relations --- History --- Philosophy --- Black people
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In Repositioning Race, leading African American sociologists assess the current state of race theory, racial discrimination, and research on race in order to chart a path toward a more engaged public scholarship. They contemplate not only the paradoxes of Black freedom but also the paradoxes of equality and progress for the progeny of the civil rights generation in the wake of the election of the first African American US president. Despite the proliferation of ideas about a postracial society, the volume highlights the ways that racial discrimination persists in both the United States and the African Diaspora in the Global South, allowing for unprecedented African American progress in the midst of continuing African American marginalization.
Race relations. --- African Americans --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Integration, Racial --- Race problems --- Race question --- Relations, Race --- Social problems --- Sociology --- Ethnic relations --- Minorities --- Racism --- Social conditions --- United States --- Black people
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No American city’s history better illustrates both thepossibilities for alternative racial models and the role of the law in shapingracial identity than New Orleans, Louisiana, which prior to the Civil War washome to America’s most privileged community of people of African descent. Inthe eyes of the law, New Orleans’s free people of color did not belong to thesame race as enslaved Africans and African-Americans. While slaves were“negroes,” free people of color were gensde couleur libre, creoles of color, or simply creoles. New Orleans’screoles of color remained legally and culturally distinct from “negroes”throughout most of the nineteenth century until state mandated segregationlumped together descendants of slaves with descendants of free people of color.Much of the recent scholarship on NewOrleans examines what race relations in theantebellum period looked as well as why antebellum Louisiana’s gens de couleur enjoyed rights andprivileges denied to free blacks throughout most of the United States. This book, however, is less concerned with the what and why questions than with how peopleof color, acting within institutions of power, shaped those institutions in ways beyondtheir control. As its title suggests, Making Race in the Courtroom argues that race is best understood notas a category, but as a process. It seeks to demonstrate the role offree people of African-descent, interacting within the courts, in this process.
SOCIAL SCIENCE / Discrimination & Race Relations. --- LAW / Legal History. --- HISTORY / United States / General. --- Louisiana Purchase --- Louisiana --- Free African Americans --- Free Afro-Americans --- Free blacks --- African Americans --- Social aspects. --- History --- Legal status, laws, etc. --- Free Black people --- SOCIAL SCIENCE / Discrimination
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American literature --- African Americans --- Mythology, African, in literature. --- African Americans in literature. --- Oral tradition --- Afro-Americans in literature --- Negroes in literature --- African American intellectuals --- African American authors --- History and criticism --- Theory, etc. --- Intellectual life. --- African influences.
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"Lyn Ford, an African-American storyteller, honored by her peers nationally, retells traditional stories and folkways from her cultural heritage"--
African Americans --- Tales --- Folk tales --- Folktales --- Folk literature --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Social life and customs. --- Ford, Lyn, --- Ford, Lynette, --- Childhood and youth. --- Appalachian Region --- Appalachia --- Appalachian Mountains Region --- Black people
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